Light Space & Time Online Art Gallery announces their 11th Annual “Abstracts” Online Art Competition for the month of February 2020.  2D and 3D artists from around the world are called upon to make online submissions for possible inclusion into the Gallery’s March 2020 online group exhibition.

The gallery encourages entries from artists (including photography & digital arts) regardless of where they reside to apply to this competition by submitting their best non-objective and non-representational art.

Here is a link to the 10th "Abstracts" Online Art Exhibition in order to help artists see what type of art was accepted in the past. Please review our article post which explains the Judging Criteria for Our Juried Art Competitions in order to help you as a guide with your entry submissions.

Early Registration - Discounted Entry Fee

Lower entry fees are offered from the opening of the competition (10th of the month) until the 1st day of next month (February 1, 2020). The discounted entry fees are as follows; $12.00 for 1 to 2 entries and $22.00 for 3 to 5 entries. After that time, the entry fees revert to the gallery’s normal entry fee amount or $14.00 for 1 to 2 entries and $24.00 for 3 to 5 entries until the deadline of the art competition. 

Also, students (who are registered with Submittable and have an email extension of EDU) are able to receive additional lower entry fees for this competition.  $10.00 for 1 to 2 entries and $20.00 for 3 to 5 entries.

Light Space & Time encourages entries from all 2D & 3D artists regardless of where they reside and regardless of their experience or education in the art field. A group exhibition of the top ten finalists will be held online at the Light Space & Time Online Art Gallery during the month of March 2020. Awards will be for top 10 places. 

Important Dates For Participating Artists

Winning artists (10 Overall Category Artists) of the 11th Annual “Abstracts” Art Exhibition will be promoted extensively by the gallery in the following manner:

The top 10 winning artists for this exhibition will be promoted and circulated to over 550+ major news outlets, including Premium News Outlets syndication. (ABC, CBS, CW, Fox & NBC affiliated broadcasting/station websites). With inclusion on Google News & Bing News.

Winning artists will have their art exhibition results posted and promoted on ArtJobs/Artweek.com. Artweek produces 800,000-page impressions per month, 280,000 website visitors per month and has 30,000 newsletter subscribers.  

Winning artists will also have their art exhibition results posted and promoted on Art.Base.co.  Art.Base produces 100,000 page views per month, 35,000 monthly unique visitors and has 10,000+ newsletter subscribers.

The Top 10 Overall Winning Artists will be featured individually and collectively on the gallery’s Artwork Archive Page.  Artwork Archive is a premier web-based software for visual artists. Manage your inventory, sales & contacts. Grow your art career and exhibit your art on Artwork Archive.

In addition to the above, the winning artists of this exhibition will receive extensive worldwide publicity in the form of email marketing, event announcements, and wide-spread social media marketing and promotion to make the art world aware of the artists’ achievement.

There will also be a video of the winning artists’ artworks on the Light Space & Time YouTube Channel.  In addition, there will also be links back to the artists’ website as part of this achievement package. Winning artists also receive a digital Award Certificate, digital Award Ribbon, digital Event Postcard, and Press Release for their art portfolio.

Artists provide us with your best abstract art before the deadline.

Today, the most successful artists are creative, dedicated to their craft and leave nothing to chance when they present their art either in person or online. 

If you study our top 10 category winning artists, you will see that they have one thing in common.  All of the art they submit that places high in our art competitions have been prepared and presented flawlessly. 

Every month we receive many excellent art entries but, if the artist’s overall presentation is not as good as their art, their work will then place at a much lower level in the art exhibition!

We receive images as entries that are not sharp and are of a generally poor quality.  Many of them need to be color corrected or properly cropped. 

What must an artist due to present their art at the highest quality possible?

• Provide high-resolution images. This does not mean large and oversized images.  It simply means that an image has been processed properly with the highest possible quality. 
• Straighten the horizons on your images.
• Size your images properly.
• Crop images and be sure all backgrounds are trimmed properly.
• Color correct your images (Only the artist knows what the most realistic colors are for their art).
• All images (no matter what the camera used) have a haze issue that desaturates, covers the true image color and the clarity of an image.

Artists can de-haze their images by adjusting the contrast settings either in pre or post-processing.  By de-hazing an image, an artist can easily take care of most of their image quality issues.

Artists who improve their overall presentations by making these small adjustments will find that their art will place higher in art competitions and, hopefully, achieve more art sales.

It is very difficult for most artists when entering an art competition to evaluate their entries objectively. Questions which come to mind are; will my art measure-up to everyone else’s? Is my style of art what they are looking for? Is my work good enough to be accepted? What are my reasons for entering this competition? Am I entering this art competition for validation, exposure or for the prize money? These questions can stress an artist to the point of paralysis!

In order to proceed further, the artist needs to make a determination as to their exact purpose for and their objective in entering this art competition. Does it meet the artist’s needs?

Is this a judged event or is this a juried event? Is this a local, regional or international event? Is there a theme or subject? What type of art organization is conducting this event? These questions should be answered prior to entering any art competition.

Let’s review these points in more detail in order to help the artist determine whether this is the right competition to enter or not;

• A judged art event means that the art which is selected will be evaluated and ranked for recognition against the other art which was submitted. Many local, small or regional art events are handled in this manner.
• In a juried art event, a panel or group of judges will determine whether the art submitted is to be included in the event or not. This type of selection process is used for larger art competitions. The show created by a juried event is subject to a variety of influences: the artistic tastes of the jurors, the politics of the local and larger art world, relationships with the sponsoring parties. The results may or may not produce a high-level show.
• A non-juried show is one that will include all entries submitted. These are usually conducted by art membership organizations, artist registries, and invitational art events. These are a great way for new artists to begin but they will not carry as much weight on a resume as a judged or a juried event.
• Some art shows combine the judged and juried art processes. The art is juried as to whether it is to be included in the event and thereafter the selected art will be judged.
• Different types of judges will evaluate art differently. For instance, judges who look at and evaluate art all day often respond to new and unusual art. They look for and respond to the “Wow Factor”.

Art collectors, art consultants and art buyers who are judges will usually be more conservative and “safe” in their evaluations and selections, as this is how they buy and collect art.

A judge, who is also an artist, will be more critical of any art that is within their specialty or in the media which they also employ. The rationale for this is that they will not select art in their genre/style that is not as good as their own art.

Many times we see artists who research the competition's judges in order to match their style of art with that of the judge’s. This can backfire on an artist, as that judge will be more critical and subjective about that art than another judge with a different artistic genre/style.

To me, the following are the most important determining factors for getting into an art show or art exhibition;

• Follow the Competition Rules and Prospectus Exactly.
• Submit Art Only Within the Subject or Theme of the Event.
• Provide the Best Quality Images Possible.
• Enter the Maximum Amount Entries Allowed.

No matter what we like to think, the judging process will come down to a subjective decision by the judge. If your art is not selected, it really does not mean much. The next time you enter that same art into another art competition, with another judge, the results may be totally different for you.

After the selections have been made, whether your art is in or out, review the entries that were selected and objectively evaluate that art against your own. This may help you with the direction of your art for the future.

Do not ever give up entering more art competitions. Be smart about it, do some research and remember to think like a judge in order be more successful when entering future art competitions.

Sometimes a poorly presented art entry may be the cause of one’s art not getting into an art exhibition, rather than the quality of the art that was entered.  How can that be, after all, isn’t this an art competition?  This article will discuss how a poorly presented submission or entry and not the quality of the art may be the reason for not being accepted into an art exhibition.

Every month Light Space & Time Online Art Gallery receives wonderful art for our competitions.  Some of the art that we receive may have been very good but because of the artist’s entry, we were unable to properly judge the art.  This is usually caused by the overall quality of the image(s) as being too poor to be able to be placed in the art exhibition.  The art that was submitted may have been excellent but because the artist did not take care, used poor equipment or their technique for recording the art was not as good as it should or could have been. 

Recently, Light Space & Time Online Art Gallery began accepting 3D art and we have received some wonderful works.  We have also received some work that was so poorly presented that we could not judge the art on the same level as the other entries.  Because of this, we could not place this art in the exhibition too.  Artists should realize that their presentation/entry is just as important as their art when it comes to entering an art competition.

If artists have not been getting into as many exhibitions as they would like, versus the number of competitions that they have been entering, those artists should take a fresh and objective look at how they are recording and submitting their art.

Our website has several articles on the proper techniques to record and present art.  The internet has many other helpful articles that will help the serious artist to improve their art submissions.

Artists should look to improve their submissions by studying the basic techniques of recording their artworks and by spending more time on this process prior to submitting their art.  Remember, this is a competition and besides the quality of the art received, the artist’s submission presentation can either help or hurt them.

Please read our related post titled "But I Thought That My Art Was Pretty Good....".  

Contrary to what most new artists think, art galleries do want to look at new artists’ artworks. Most art galleries want to be able to do this on their terms, on their time schedule, and in their own manner. If an artist wants to successfully present their art to an art gallery, then they really should comply with the gallery’s presentation procedures.

I am often asked, “how do I get my artwork into art galleries?" I cannot say that there is a set formula in how to approach an art gallery, but I can give you some tips to guide you in this mission. The major mistake that I see artists make is that they will be so desperate to get their work shown that they waste a lot of time approaching and making contact with the wrong art galleries. By this I mean, that the artist is soliciting any and all art galleries without first determining whether their art is compatible and in keeping with that gallery’s inventory.

I believe that the artist should do a certain amount of research on the targeted gallery prior to approaching them to show/present their work. The artist should objectively evaluate the gallery whether they are a good fit for their art, style, media, pricing etc. For instance, if you are a photographer or a sculptor and the gallery you want to show your work in does not represent photographers or 3D art, why waste your time (and also the gallery’s time) trying to get an appointment? Or, if the pricing of the art that the gallery represents is in the 5 figure range and you sell your art on average for $500.00, I would not bother approaching this gallery. Your time should be valuable to you, therefore, only solicit art galleries and gallery directors/owners who represent artists whose art is similar to yours in terms of media, pricing, and style.

Today, there is enough information online (and usually at the art gallery’s website) that will allow the artist to make a reasonable judgment on whether that gallery is a good prospect for their art. The gallery website will show the represented gallery artists, samples of their art, a short bio of the artist and the prices of their art. Is your artwork comparable to the art that this gallery presently represents? If this gallery has the potential to be a good fit for you, only then, would I go into further research of this gallery?

Many times the gallery website will provide their submission policy or submission parameters and requirements. In some cases, they will say that they are not reviewing any portfolios at this time. This means that at this time, the gallery is satisfied with their current artists and that they are too busy to stop and review art portfolios. Please respect this and do not bother the gallery. However, if a gallery has not provided their submission policy publicly, then a short note or a concise email asking what their present submission policy will suffice. There is no good reason at this time to go into any further detail on your art, education, qualifications etc.

Many art galleries schedule a certain time of the year or a time of the month when they will review portfolios, as this is much easier and more efficient to review art portfolios at the same time. Again, an artist should follow their procedure and schedule exactly as it states. To do anything else, will risk the artist, for being remembered by the gallery for the wrong reasons!

You finally find a gallery that seems to be suitable to your art, you contact them or present your artwork in their prescribed manner and they would now like to see more of your artworks and discuss showing in their gallery with you! Now, what do you do? Here are some tips and ideas to help an artist to follow when they finally get an appointment with the art gallery;

1. Make sure that your biography, CV and artist statement are up to date. Have extra copies too.

2. Have all the images of your artwork prepared in several forms for the gallery to review. Make sure that you have extra copies of this work in order to be able to leave them at the gallery for further review. There is nothing worse for an artist to say to the gallery, that this is their only set and that they have to take it with them. Don’t do it.

3. Make sure that the images of your artwork are professionally presentable. This means that there are no crooked images, no frames in the image, that the images are cropped (with no backgrounds beyond the image borders), no watermarks, and no hot spots. Also, make sure that all images are color corrected and if you cannot do any of the above well, get someone to do it for you with the proper equipment, programs, and experience in duplicating art.

4. Act professionally. Think of this gallery appointment as you would if you were applying for a job and the employer was interviewing you. The gallery will have questions about your background, experience and your art. Conversely, you should be prepared to discuss how they conduct their gallery business and if you were to be selected, how could their arrangements help to sell your art?

5. Be prepared to wait, for a decision on their behalf about taking you on as a gallery artist. In many cases, art galleries are working a year or two out with the scheduling of their shows and exhibitions. So be prepared to wait and be patient.

6. Conversely, be prepared to act quickly! How can this be after what I said in #5 above? I make this statement because there are artists, even though they were accepted into a gallery who are not prepared and they will need to drop out. At that point, the gallery will need a replacement artist very quickly and you can be that replacement if you are ready! When I first started out, even though I was not the gallery’s first choice, I was asked several times to replace artists who were not prepared or were “no shows”. This will not occur all of the time, but there is always a chance...be prepared and available.

7. Whatever you do, do not keep calling the gallery to bug them about your art, your meeting, their decision about your art, etc. Art galleries are busy places and they have their own schedule to follow, not yours. Again be patient.

8. If you have the time, I suggest sending an “old fashion” handwritten thank you note to the person who you had the appointment with at the art gallery. Why is this? Because No One Else Does It! It is a nice touch, totally unexpected to the recipient and it is an incredibly good way to have them remember you in a positive way.

9. One of the best ways to meet gallery directors/owners to discuss your art is through the introduction of other artists who have shown their art at the gallery. This approach is much better than a “cold call” and it is also a form of a “third party endorsement of your work. This is another reason why it is important to network and become part of any local art organizations

10. Think locally and branch out from there. Get known locally prior to approaching art galleries in larger cities. Try to get into local galleries through art competitions and art shows, and then build upon that success into regional, state and national galleries.

11. Are you just starting out? Besides #9 above, seek to place your art in alternative venues, rather than just art galleries. What do I mean by this? Get your art into local restaurants, retail shops, community clubhouses, consignment stores and libraries. All of these alternative venues can help you to become known and established within your community. Also, who knows, you might make some sales too!

I also suggest that you try to learn how art galleries operate, as this will give you a better understanding of the business and it helps you when you do approach them to show your artwork. There is a “code of conduct” to the art business and as an artist starting out, try to learn the ins and outs of the business, as to do otherwise will eventually lessen your chances of getting your art into galleries. Good luck!